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The diaries of August G�llerich, secretary and student of Franz Liszt, provide a first-hand account of the Master’s approach to piano teaching, his preferences and prejudices both musical and social, and his way of encouraging and befriending his students. They contain the mature Liszt’s suggestions for interpreting his own works and those of his friend Chopin and of many other composers, offering invaluable advice from the most spectacular pianist of the 19th century. Pianists interested in the history of performance practice and the Romantic era will learn from and take delight in this volume.
- Sales Rank: #525256 in Books
- Published on: 2010-06-11
- Released on: 2010-06-11
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .56" w x 6.12" l, .71 pounds
- Binding: Paperback
- 224 pages
- ISBN13: 9780253222732
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Review
"A useful contribution to documentary evidence of study with master pedagogues." ―Piano and Keyboard
"Notes were taken during more than 100 classes and include Liszt’s ideas, sayings, teaching methods, and interpretive suggestions. The notes are impressive because of the breath of works studied and the intensity Liszt displayed while teaching." ―The American Liszt Society, Inc., Newsletter
"An unbelievable source of knowledge and thus indispensable... Belongs with the most important [diaries] in the Liszt literature." ―Lizst Saeculum
"[Liszt] gives practical tips, drawn from a well of experience sans pareil... demonstrates how to project second-rate music (a Rubinstein concerto)... [and] suggests ways of coping with the truly profound (in response to a student's performance of Beethoven's Diabelli Variations)." ―Times Literary Supplement
"This book places us at the center of the celebrated master classes of Liszt. To read what Liszt said to his students and to observe the manner in which he conducted his master classes is in itself a great lesson for all pianists and teachers." ―Fernando Laires, President Emeritus, American Liszt Society
"The book makes interesting reading and furnishes valuable knowledge of the piano literature taught and performed at the time... Recommended for upper-division undergraduate and graduate collections." ―Choice
"These journals... are indispensable, clarifying both the presence and (matched by elegant typography) is supplemented with copious music examples, meticulous reference and biographical notes." ―International Piano Quarterly
"... should prove of interest to pianists seeking insights into the standard repertory, to researchers needing primary source material... and to those interested in the performing traditions from the great age of Romantic pianism." ―Notes
"If one could go back in time and space, I feel sure most pianists, musicians and lovers of music would desire to go back to [Liszt’s] time and study with this great personality―but we cannot. However in this book you have it all." ―Keyboard Teacher
Language Notes
Text: English (translation)
Original Language: German
About the Author
Richard Louis Zimdars is Despy Karlas Professor of Piano at the Hodgson School of Music at the University of Georgia. He is translator and editor of The Piano Master Classes of Hans von B�low: Two Participants' Accounts (IUP, 1993).
Most helpful customer reviews
17 of 17 people found the following review helpful.
Enlightening
By S. Pompa
I cannot imagine why any pianist would not want this book. Here, Goellerich provides a sort of window in time, allowing the reader to listen in on a master class of Franz Liszt. Liszt provides invaluable suggestions in interpretation, and suggests how the composer may have wanted his piece performed. Since he heard many pieces performed by the composers themselves (Chopin, Schumann, etc), his advice should be respected.
Further, this book provides a great way for the pianist to boost his or her repertoire. There is much music here that has fallen into disuse, and Liszt discusses these works and provides performance suggestions. For example, many of his students played music by Rubinstein, a composer who has, sadly, fallen out of fashion.
Also, since Liszt was taught by Czerny, who was taught by Beethoven, his suggestions for the performance of Beethoven's works are absolute gold.
There is very little technical advice in this book. If you were a student of Liszt, you had a good technique as a matter of course. He seems to focus more on expression, tempo, and clean playing. Technique is not the purpose of this book. Goellerich records Liszt's performance suggestions, and for that, this book should be read by all serious pianists.
3 of 3 people found the following review helpful.
Great Book
By mistery man
Wow times were different then!
It almost feels like you actually meet liszt in person and feel his energy.
this is an excellent book. i reccomend all musicians to get it. not just for the music lesson and franz liszt.
but also to see how the musical world and perspective has changed.
Joseph Hofmann once said "nothing can take the place of real worth.
its true. a musicians badges and trophies cannot win over an audience the way a musicians moving performance could.
liszt would describe these musicians as "playing like students"
this book truly has Liszt emotion in it.
and emotion is contagious. GET IT!
(all this to say and i have only read 20 pages) ;)
1 of 1 people found the following review helpful.
Richard Zimdars has again distiguished himself an excellent scholar, researcher
By James Ronald Rathbun
Richard Zimdars has again distiguished himself an excellent scholar, researcher, translator, and writer. The Glossary alone with the short biographies of people mentioned is worth the price of the book. His translation of The Master Classes of Franz Liszt is of interest to anyone who loves the piano. I find the book informative and entertaining and take my hat off to Dr. Zimdars!
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