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The Last Magician, by Janette Turner Hospital
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This superb novel is richly textured and intellectually challenging, a tour de force from our most elegantly seductive writer. The last magician is Charlie, the photographer, who monitors and records everything as he seeks the silent Cat through physical and emotional infernos. Charlie, Cat, Robbie and Catherine shared a childhood summer in a Queensland rainforest. But a death intruded on their charmed circle, binding them to complicity and silence. Decades later, festering memories seep through into the present, in the same way as the desperate underside of a corrupt Sydney breaks through into tidy lives and well-kept streets. The Last Magician was listed in the Weekend Australian Most Notable Books of 1992 and the New York Times Best Books of 1992.
- Sales Rank: #1251787 in eBooks
- Published on: 2015-02-01
- Released on: 2015-02-01
- Format: Kindle eBook
From Publishers Weekly
Set in the rain forest near Brisbane and in the city of Sydney, Hospital's mesmerizing study of the effects of a dark secret on the people who must live with it is a prime example of the storyteller's magical art.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
This work is complex and disturbing, ultimately grappling with the darkest side of love. Readers who stick with her through the first slow pages will find themselves enmeshed in a chilling drama of personalities revealed through innuendo, reminiscence, and memory. Hospital pastes together her story like a photographic collage. The effect is disjointed and startling, requiring the reader to piece together the narrative, to make connections and find meaning. In barest outline, here are the lives of four people who share an ugly secret, a secret whose power becomes the driving force in each life. Charlie, a photographer, says, "Photographs beckon . Photographs seduce." So too this novel. Previewed in Prepub Alert, LJ 5/1/92.
-Linda L. Rome, Middlefield P.L., Ohio
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
Complex, wordy, sometimes compelling novel of obsession, revenge, and the threatening shadow-world underlying daily life. At the heart of Hospital's story (following Charades--not reviewed; Isobars, 1991; Dislocations, 1988, etc.) is an incident involving four children in 1950's Australia: Charlie Chang, racial outsider; Catherine Reed, upper-class girl with brains and heart; Robbie Gray, rich boy with ravenous ego and a veneer of social grace; and witchily powerful Cat, fearless outcast. After her brother's ``accidental'' death, Cat testifies against Robbie, is scapegoated, and sent to the girls' reformatory. Aftershocks continue in the lives of all four as Robbie becomes a prominent judge; Catherine flees Australia; photographer/filmmaker Charlie collects and shuffles images to re-envision the past and get the upper hand on Robbie; Cat disappears after years of prostitution and self-mutilation. Their story is pieced together by Lucy, a ``brainy sheila'' and prostitute who has lived in the quarry (a subterranean underclass community carved out beneath respectable Sydney); she is Charlie's friend and the lover of Robbie's son. As observer at secondhand, Lucy--who considers herself a tourist in the underworld--makes an interesting narrator. But when the novel begins, she too is emotionally overwhelmed; her overwrought and very literary telling often detracts from the central story's impact. Charlie Chang, who finds truth through almost magical coincidence, would not be surprised that Hospital's fellow Australian expat Peter Conrad has recently published a florid, intellectual novel (Underworld, p. 200) looking at a postmodern subterranean inferno; Hospital's version has more story. Flawed, sometimes annoying, often resonant. -- Copyright �1992, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
3 of 3 people found the following review helpful.
One of my favorite books
By A Customer
I bought this book as a mass market paperback - I am not even sure why it was in the bookstore, since I'd never heard of the author before - and have read it at least a dozen times. A few other reviewers said it was confusing, but I found it fascinating. The author presents the story in pieces and readers have to put it together for themselves - that's why it's worth at least a second reading. Also, the book is really more magic-realism than mystery, and people who want a unambiguous ending probably won't like it, as the loose ends in this book trail past the finale. Very much worth reading if you enjoy puzzles and ambiguity.
3 of 3 people found the following review helpful.
If you can read this you can read anything.
By A Customer
The prose and plot of this story are by far the most difficult of any of hers. It took me 3 tries to get through it but was well worth the effort as usual. Take it someplace where you will have lots of time and relaxation to concentrate. As with all her stuff you'll feel disturbed and unsettled afterwards. Then you'll take it too your friends and say "just stick with it"
1 of 1 people found the following review helpful.
self-consciously literary
By marmot
I read The Last Magician because I found Orpheus Lost hauntingly lovely and profoundly moving. The Last Magician feels like a much earlier novel written with a self-consciously literary style that precociously interferes with the narrative at times, with a feel of pretentiousness and sophomoreishness.
But I'm back to try another because even though it taxed my patience to get through intrusive allusions, The Last Magician held a true and complex vision, hard to encounter but compelling to read.
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